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Digital Grin  > Reviews You Can Use > Lenses > Comparison: Canon 28/1.8 and Sigma 30/1.4
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Compared: Canon 28mm f/1.8 USM and Sigma 30mm f/1.4 EX DC HSM
by Jeremy Rosenberger
Introduction
In February 2005, Sigma announced an intriguing lens--a 30mm f/1.4 "DC" format--"DC" referring to a reduced image circle suitable for digital cameras with APS-C-sized sensors. On such cameras, the lens offers a "normal" field of view approximating that of a 50mm lens on a "full frame" 35mm camera. SLR camera giants Canon and Nikon so far seem to have ignored the "50mm equivalent" for crop-factor cameras (although in their defense, 28mm and 35mm lenses are at
least in the ballpark).

As an owner of a Canon 28/1.8 and an addict of big apertures, I found myself wondering how the 30 would stack up, particularly in terms of sharpness. The 28 is the lens I reach for most often (it serves as a "normal" lens on my Digital Rebel XT), and while I'm quite fond of it, I was tempted by the extra 2/3 stop offered by the Sigma. There is of course Canon's 35mm f/1.4L, but its price is prohibitive for many of us hobbyists, and at a 56mm field of view when used with the XT, it's a little on the long side. So I set out to determine whether Sigma could dethrone my current favorite, and acquired a copy of the 30 to put the two to the test.
The Test
I'm not a professional tester of photographic equipment, nor am I the most demanding user. But I wanted to devise a meaningful test, so I was reasonably careful in the test methodology: I mounted the camera (the 8MP Digital Rebel XT) on a tripod, enabled mirror lock-up and used a remote shutter release. At each aperture setting, I took three shots with each lens and picked the best of the three to mitigate any camera shake that may have occurred. Also, rather than take pictures of a newspaper or some other subject that nobody photographs in real life, I tried to choose a photographically interesting subject.
Camera Settings
All shots were taken at the camera's full 8MP resolution, ISO 100, "sunny" white balance, aperture priority, in RAW format, using light from a nearby window. (Because the light wasn't entirely controlled, there are minor exposure variations from shot to shot.) The apertures chosen were f/1.4 (the Sigma's maximum), f/1.8 (the Canon's maximum), f/2 through f/16 in one-stop increments (f/16 being the Sigma's minimum), and f/22 (the Canon's minimum).
Focusing
I used the center autofocus point, letting the camera autofocus with each shot; incidentally, there were no focus misses with either lens. It has been argued that this methodology "tests" the AF system rather than absolute lens sharpness. While I completely agree, keep in mind that the purpose of this test is to ascertain the performance of these lenses in typical use--autofocus tolerances and all.
Post-Processing
The shots were post-processed using Capture One LE using modest sharpening and noise suppression parameters:

Method: Standard look
Amount: 50
Threshold: 3
Noise suppression: 2 (Low=1, High=4)
Color Noise suppression: 15
Banding suppression: 2 (Low=1, High=4)

In addition, I dialed in a bit of negative exposure compensation to the Sigma frames "after the fact"--see the analysis for an explanation.

Compared: Canon 28mm f/1.8 USM and Sigma 30mm f/1.4 EX DC HSM

by Jeremy Rosenberger

Introduction

In February 2005, Sigma announced an intriguing lens--a 30mm f/1.4 "DC" format--"DC" referring to a reduced image circle suitable for digital cameras with APS-C-sized sensors. On such cameras, the lens offers a "normal" field of view approximating that of a 50mm lens on a "full frame" 35mm camera. SLR camera giants Canon and Nikon so far seem to have ignored the "50mm equivalent" for crop-factor cameras (although in their defense, 28mm and 35mm lenses are at least in the ballpark).

As an owner of a Canon 28/1.8 and an addict of big apertures, I found myself wondering how the 30 would stack up, particularly in terms of sharpness. The 28 is the lens I reach for most often (it serves as a "normal" lens on my Digital Rebel XT), and while I'm quite fond of it, I was tempted by the extra 2/3 stop offered by the Sigma. There is of course Canon's 35mm f/1.4L, but its price is prohibitive for many of us hobbyists, and at a 56mm field of view when used with the XT, it's a little on the long side. So I set out to determine whether Sigma could dethrone my current favorite, and acquired a copy of the 30 to put the two to the test.

The Test

I'm not a professional tester of photographic equipment, nor am I the most demanding user. But I wanted to devise a meaningful test, so I was reasonably careful in the test methodology: I mounted the camera (the 8MP Digital Rebel XT) on a tripod, enabled mirror lock-up and used a remote shutter release. At each aperture setting, I took three shots with each lens and picked the best of the three to mitigate any camera shake that may have occurred. Also, rather than take pictures of a newspaper or some other subject that nobody photographs in real life, I tried to choose a photographically interesting subject.

Camera Settings

All shots were taken at the camera's full 8MP resolution, ISO 100, "sunny" white balance, aperture priority, in RAW format, using light from a nearby window. (Because the light wasn't entirely controlled, there are minor exposure variations from shot to shot.) The apertures chosen were f/1.4 (the Sigma's maximum), f/1.8 (the Canon's maximum), f/2 through f/16 in one-stop increments (f/16 being the Sigma's minimum), and f/22 (the Canon's minimum).

Focusing

I used the center autofocus point, letting the camera autofocus with each shot; incidentally, there were no focus misses with either lens. It has been argued that this methodology "tests" the AF system rather than absolute lens sharpness. While I completely agree, keep in mind that the purpose of this test is to ascertain the performance of these lenses in typical use--autofocus tolerances and all.

Post-Processing

The shots were post-processed using Capture One LE using modest sharpening and noise suppression parameters:

  • Method: Standard look
  • Amount: 50
  • Threshold: 3
  • Noise suppression: 2 (Low=1, High=4)
  • Color Noise suppression: 15
  • Banding suppression: 2 (Low=1, High=4)

In addition, I dialed in a bit of negative exposure compensation to the Sigma frames "after the fact"--see the analysis for an explanation.

Test Scene
The subject I chose is a pair of objects from my home, as shown below. The objects are arranged such that the areas of detail in the center and corner fall (within my ability to estimate) in the same focal plane. The accompanying (downsized) image happens to be from the 28mm at f/11, but all shots with the 28 were taken from the same position. The 30mm shots were taken from a few inches back to achieve the same framing. The center autofocus point falls roughly on the "III" on the clock face.
100% Crops
Following are 100% crops of the resulting photos, taken from the center and (near) a corner of the image. Images produced by the 30mm are always on the left, with the 28mm images always on the right. The images appearing within these pages are scaled down; click each image to see the 100% crop (make sure also that you select "Original" size).

Test Scene


The subject I chose is a pair of objects from my home, as shown below. The objects are arranged such that the areas of detail in the center and corner fall (within my ability to estimate) in the same focal plane. The accompanying (downsized) image happens to be from the 28mm at f/11, but all shots with the 28 were taken from the same position. The 30mm shots were taken from a few inches back to achieve the same framing. The center autofocus point falls roughly on the "III" on the clock face.

100% Crops


Following are 100% crops of the resulting photos, taken from the center and (near) a corner of the image. Images produced by the 30mm are always on the left, with the 28mm images always on the right. The images appearing within these pages are scaled down; click each image to see the 100% crop (make sure also that you select "Original" size).
Center at f/1.4. Obviously only the Sigma opens up this far.
Center at f/1.4. Obviously only the Sigma opens up this far.
Center at f/1.8.
Center at f/1.8.
Center at f/2.
Center at f/2.
Center at f/2.8.
Center at f/2.8.
Center at f/4.
Center at f/4.
Center at f/5.6.
Center at f/5.6.
Center at f/8.
Center at f/8.
Center at f/11.
Center at f/11.
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