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    <title>Skin Retouching Tutorial Part 1</title>
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    <description>Beauty Retouching: Part 1&#13;
How to lie for fun and, maybe, profit.</description>
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    <pubDate>Wed, 30 Nov -001 00:00:00 -0800</pubDate>
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      <title>By Crawford Hart.

This is a topic that often falls outside of the concerns of professional photographers; rather than capturing reality and presenting an honest depiction of what one finds  ...</title>
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      <description>&lt;p&gt;&lt;a href="http://dgrin.smugmug.com"&gt;Digital Grin&lt;/a&gt;&lt;br /&gt;By Crawford Hart.

This is a topic that often falls outside of the concerns of professional photographers; rather than capturing reality and presenting an honest depiction of what one finds  ...&lt;/p&gt;&lt;p&gt;&lt;a href="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/1170442_cfqod#54740773_Bhvya" title="By Crawford Hart.

This is a topic that often falls outside of the concerns of professional photographers; rather than capturing reality and presenting an honest depiction of what one finds  ..."&gt;&lt;img src="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/clear/54740773_Bhvya-Th.gif" width="1" height="1" alt="By Crawford Hart.

This is a topic that often falls outside of the concerns of professional photographers; rather than capturing reality and presenting an honest depiction of what one finds  ..." title="By Crawford Hart.

This is a topic that often falls outside of the concerns of professional photographers; rather than capturing reality and presenting an honest depiction of what one finds  ..." style="border: 1px solid #000000;" /&gt;&lt;/a&gt;&lt;/p&gt;</description>
      <category>Tutorials</category>
      <pubDate>Wed, 01 Feb 2006 07:03:20 -0800</pubDate>
      <author>nobody@smugmug.com (Digital Grin)</author>
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      <media:title type="html">By Crawford Hart.

This is a topic that often falls outside of the concerns of professional photographers; rather than capturing reality and presenting an honest depiction of what one finds  ...</media:title>
      <media:text type="html">&lt;p&gt;&lt;a href="http://dgrin.smugmug.com"&gt;Digital Grin&lt;/a&gt;&lt;br /&gt;By Crawford Hart.

This is a topic that often falls outside of the concerns of professional photographers; rather than capturing reality and presenting an honest depiction of what one finds  ...&lt;/p&gt;&lt;p&gt;&lt;a href="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/1170442_cfqod#54740773_Bhvya" title="By Crawford Hart.

This is a topic that often falls outside of the concerns of professional photographers; rather than capturing reality and presenting an honest depiction of what one finds  ..."&gt;&lt;img src="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/clear/54740773_Bhvya-Th.gif" width="1" height="1" alt="By Crawford Hart.

This is a topic that often falls outside of the concerns of professional photographers; rather than capturing reality and presenting an honest depiction of what one finds  ..." title="By Crawford Hart.

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      <title>THE HEALING BRUSH  &#13;
Adobe has described the Healing Brush as "The Cloning Tool on steroids." Somewhat true. While you can often treat it like a cloning tool, one that doesn't require precis ...</title>
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      <description>&lt;p&gt;&lt;a href="http://dgrin.smugmug.com"&gt;Digital Grin&lt;/a&gt;&lt;br /&gt;THE HEALING BRUSH  &#13;
Adobe has described the Healing Brush as "The Cloning Tool on steroids." Somewhat true. While you can often treat it like a cloning tool, one that doesn't require precis ...&lt;/p&gt;&lt;p&gt;&lt;a href="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/1170442_cfqod#54688284_fGCZA" title="THE HEALING BRUSH  &#13;
Adobe has described the Healing Brush as "The Cloning Tool on steroids." Somewhat true. While you can often treat it like a cloning tool, one that doesn't require precis ..."&gt;&lt;img src="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/largebrush/54688284_fGCZA-Th.jpg" width="50" height="150" alt="THE HEALING BRUSH  &#13;
Adobe has described the Healing Brush as "The Cloning Tool on steroids." Somewhat true. While you can often treat it like a cloning tool, one that doesn't require precis ..." title="THE HEALING BRUSH  &#13;
Adobe has described the Healing Brush as "The Cloning Tool on steroids." Somewhat true. While you can often treat it like a cloning tool, one that doesn't require precis ..." style="border: 1px solid #000000;" /&gt;&lt;/a&gt;&lt;/p&gt;</description>
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      <pubDate>Tue, 31 Jan 2006 18:40:31 -0800</pubDate>
      <author>nobody@smugmug.com (Digital Grin)</author>
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      <media:title type="html">THE HEALING BRUSH  &#13;
Adobe has described the Healing Brush as "The Cloning Tool on steroids." Somewhat true. While you can often treat it like a cloning tool, one that doesn't require precis ...</media:title>
      <media:text type="html">&lt;p&gt;&lt;a href="http://dgrin.smugmug.com"&gt;Digital Grin&lt;/a&gt;&lt;br /&gt;THE HEALING BRUSH  &#13;
Adobe has described the Healing Brush as "The Cloning Tool on steroids." Somewhat true. While you can often treat it like a cloning tool, one that doesn't require precis ...&lt;/p&gt;&lt;p&gt;&lt;a href="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/1170442_cfqod#54688284_fGCZA" title="THE HEALING BRUSH  &#13;
Adobe has described the Healing Brush as "The Cloning Tool on steroids." Somewhat true. While you can often treat it like a cloning tool, one that doesn't require precis ..."&gt;&lt;img src="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/largebrush/54688284_fGCZA-Th.jpg" width="50" height="150" alt="THE HEALING BRUSH  &#13;
Adobe has described the Healing Brush as "The Cloning Tool on steroids." Somewhat true. While you can often treat it like a cloning tool, one that doesn't require precis ..." title="THE HEALING BRUSH  &#13;
Adobe has described the Healing Brush as "The Cloning Tool on steroids." Somewhat true. While you can often treat it like a cloning tool, one that doesn't require precis ..." style="border: 1px solid #000000;" /&gt;&lt;/a&gt;&lt;/p&gt;</media:text>
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      <title>Note the similar target area in (D), but with a significantly smaller brush. The result this time (E) is much more in keeping with expectations.&#13;
&#13;
So&#13;
Rule 1: always keep the size of your  ...</title>
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      <description>&lt;p&gt;&lt;a href="http://dgrin.smugmug.com"&gt;Digital Grin&lt;/a&gt;&lt;br /&gt;Note the similar target area in (D), but with a significantly smaller brush. The result this time (E) is much more in keeping with expectations.&#13;
&#13;
So&#13;
Rule 1: always keep the size of your  ...&lt;/p&gt;&lt;p&gt;&lt;a href="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/1170442_cfqod#54688319_k3h6m" title="Note the similar target area in (D), but with a significantly smaller brush. The result this time (E) is much more in keeping with expectations.&#13;
&#13;
So&#13;
Rule 1: always keep the size of your  ..."&gt;&lt;img src="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/smallbrush/54688319_k3h6m-Th.jpg" width="75" height="150" alt="Note the similar target area in (D), but with a significantly smaller brush. The result this time (E) is much more in keeping with expectations.&#13;
&#13;
So&#13;
Rule 1: always keep the size of your  ..." title="Note the similar target area in (D), but with a significantly smaller brush. The result this time (E) is much more in keeping with expectations.&#13;
&#13;
So&#13;
Rule 1: always keep the size of your  ..." style="border: 1px solid #000000;" /&gt;&lt;/a&gt;&lt;/p&gt;</description>
      <category>Tutorials</category>
      <pubDate>Tue, 31 Jan 2006 18:40:41 -0800</pubDate>
      <author>nobody@smugmug.com (Digital Grin)</author>
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      <media:title type="html">Note the similar target area in (D), but with a significantly smaller brush. The result this time (E) is much more in keeping with expectations.&#13;
&#13;
So&#13;
Rule 1: always keep the size of your  ...</media:title>
      <media:text type="html">&lt;p&gt;&lt;a href="http://dgrin.smugmug.com"&gt;Digital Grin&lt;/a&gt;&lt;br /&gt;Note the similar target area in (D), but with a significantly smaller brush. The result this time (E) is much more in keeping with expectations.&#13;
&#13;
So&#13;
Rule 1: always keep the size of your  ...&lt;/p&gt;&lt;p&gt;&lt;a href="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/1170442_cfqod#54688319_k3h6m" title="Note the similar target area in (D), but with a significantly smaller brush. The result this time (E) is much more in keeping with expectations.&#13;
&#13;
So&#13;
Rule 1: always keep the size of your  ..."&gt;&lt;img src="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/smallbrush/54688319_k3h6m-Th.jpg" width="75" height="150" alt="Note the similar target area in (D), but with a significantly smaller brush. The result this time (E) is much more in keeping with expectations.&#13;
&#13;
So&#13;
Rule 1: always keep the size of your  ..." title="Note the similar target area in (D), but with a significantly smaller brush. The result this time (E) is much more in keeping with expectations.&#13;
&#13;
So&#13;
Rule 1: always keep the size of your  ..." style="border: 1px solid #000000;" /&gt;&lt;/a&gt;&lt;/p&gt;</media:text>
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      <title>Here's an unsightly wrinkle that we're simply going to take out (A). Keep in mind, the healing brush is quite forgiving. You don't need to worry about lining up your sample with your target, ...</title>
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      <description>&lt;p&gt;&lt;a href="http://dgrin.smugmug.com"&gt;Digital Grin&lt;/a&gt;&lt;br /&gt;Here's an unsightly wrinkle that we're simply going to take out (A). Keep in mind, the healing brush is quite forgiving. You don't need to worry about lining up your sample with your target, ...&lt;/p&gt;&lt;p&gt;&lt;a href="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/1170442_cfqod#54688352_cu9VL" title="Here's an unsightly wrinkle that we're simply going to take out (A). Keep in mind, the healing brush is quite forgiving. You don't need to worry about lining up your sample with your target, ..."&gt;&lt;img src="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/WrinkleOut/54688352_cu9VL-Th.jpg" width="150" height="66" alt="Here's an unsightly wrinkle that we're simply going to take out (A). Keep in mind, the healing brush is quite forgiving. You don't need to worry about lining up your sample with your target, ..." title="Here's an unsightly wrinkle that we're simply going to take out (A). Keep in mind, the healing brush is quite forgiving. You don't need to worry about lining up your sample with your target, ..." style="border: 1px solid #000000;" /&gt;&lt;/a&gt;&lt;/p&gt;</description>
      <category>Tutorials</category>
      <pubDate>Tue, 31 Jan 2006 18:40:50 -0800</pubDate>
      <author>nobody@smugmug.com (Digital Grin)</author>
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      <media:title type="html">Here's an unsightly wrinkle that we're simply going to take out (A). Keep in mind, the healing brush is quite forgiving. You don't need to worry about lining up your sample with your target, ...</media:title>
      <media:text type="html">&lt;p&gt;&lt;a href="http://dgrin.smugmug.com"&gt;Digital Grin&lt;/a&gt;&lt;br /&gt;Here's an unsightly wrinkle that we're simply going to take out (A). Keep in mind, the healing brush is quite forgiving. You don't need to worry about lining up your sample with your target, ...&lt;/p&gt;&lt;p&gt;&lt;a href="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/1170442_cfqod#54688352_cu9VL" title="Here's an unsightly wrinkle that we're simply going to take out (A). Keep in mind, the healing brush is quite forgiving. You don't need to worry about lining up your sample with your target, ..."&gt;&lt;img src="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/WrinkleOut/54688352_cu9VL-Th.jpg" width="150" height="66" alt="Here's an unsightly wrinkle that we're simply going to take out (A). Keep in mind, the healing brush is quite forgiving. You don't need to worry about lining up your sample with your target, ..." title="Here's an unsightly wrinkle that we're simply going to take out (A). Keep in mind, the healing brush is quite forgiving. You don't need to worry about lining up your sample with your target, ..." style="border: 1px solid #000000;" /&gt;&lt;/a&gt;&lt;/p&gt;</media:text>
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      <title>My initial moves always are with the healing brush. I try to attack everything I see. By definition, if I notice it, it shouldn't be there. So it's only natural that I would deal with deep w ...</title>
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      <description>&lt;p&gt;&lt;a href="http://dgrin.smugmug.com"&gt;Digital Grin&lt;/a&gt;&lt;br /&gt;My initial moves always are with the healing brush. I try to attack everything I see. By definition, if I notice it, it shouldn't be there. So it's only natural that I would deal with deep w ...&lt;/p&gt;&lt;p&gt;&lt;a href="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/1170442_cfqod#54688122_9GRv6" title="My initial moves always are with the healing brush. I try to attack everything I see. By definition, if I notice it, it shouldn't be there. So it's only natural that I would deal with deep w ..."&gt;&lt;img src="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/eyes/54688122_9GRv6-Th.jpg" width="96" height="150" alt="My initial moves always are with the healing brush. I try to attack everything I see. By definition, if I notice it, it shouldn't be there. So it's only natural that I would deal with deep w ..." title="My initial moves always are with the healing brush. I try to attack everything I see. By definition, if I notice it, it shouldn't be there. So it's only natural that I would deal with deep w ..." style="border: 1px solid #000000;" /&gt;&lt;/a&gt;&lt;/p&gt;</description>
      <category>Tutorials</category>
      <pubDate>Tue, 31 Jan 2006 18:39:37 -0800</pubDate>
      <author>nobody@smugmug.com (Digital Grin)</author>
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      <media:text type="html">&lt;p&gt;&lt;a href="http://dgrin.smugmug.com"&gt;Digital Grin&lt;/a&gt;&lt;br /&gt;My initial moves always are with the healing brush. I try to attack everything I see. By definition, if I notice it, it shouldn't be there. So it's only natural that I would deal with deep w ...&lt;/p&gt;&lt;p&gt;&lt;a href="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/1170442_cfqod#54688122_9GRv6" title="My initial moves always are with the healing brush. I try to attack everything I see. By definition, if I notice it, it shouldn't be there. So it's only natural that I would deal with deep w ..."&gt;&lt;img src="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/eyes/54688122_9GRv6-Th.jpg" width="96" height="150" alt="My initial moves always are with the healing brush. I try to attack everything I see. By definition, if I notice it, it shouldn't be there. So it's only natural that I would deal with deep w ..." title="My initial moves always are with the healing brush. I try to attack everything I see. By definition, if I notice it, it shouldn't be there. So it's only natural that I would deal with deep w ..." style="border: 1px solid #000000;" /&gt;&lt;/a&gt;&lt;/p&gt;</media:text>
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      <title>One last thing to keep in mind, both with the Healing Brush, and with the two techniques that follow: Start close up, at 100%. Then move back out to 50%. Avoid odd scaling values. 66.7% and  ...</title>
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      <description>&lt;p&gt;&lt;a href="http://dgrin.smugmug.com"&gt;Digital Grin&lt;/a&gt;&lt;br /&gt;One last thing to keep in mind, both with the Healing Brush, and with the two techniques that follow: Start close up, at 100%. Then move back out to 50%. Avoid odd scaling values. 66.7% and  ...&lt;/p&gt;&lt;p&gt;&lt;a href="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/1170442_cfqod#54695969_JAZrB" title="One last thing to keep in mind, both with the Healing Brush, and with the two techniques that follow: Start close up, at 100%. Then move back out to 50%. Avoid odd scaling values. 66.7% and  ..."&gt;&lt;img src="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/healing/54695969_JAZrB-Th.jpg" width="150" height="95" alt="One last thing to keep in mind, both with the Healing Brush, and with the two techniques that follow: Start close up, at 100%. Then move back out to 50%. Avoid odd scaling values. 66.7% and  ..." title="One last thing to keep in mind, both with the Healing Brush, and with the two techniques that follow: Start close up, at 100%. Then move back out to 50%. Avoid odd scaling values. 66.7% and  ..." style="border: 1px solid #000000;" /&gt;&lt;/a&gt;&lt;/p&gt;</description>
      <category>Tutorials</category>
      <pubDate>Tue, 31 Jan 2006 19:38:22 -0800</pubDate>
      <author>nobody@smugmug.com (Digital Grin)</author>
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      <media:text type="html">&lt;p&gt;&lt;a href="http://dgrin.smugmug.com"&gt;Digital Grin&lt;/a&gt;&lt;br /&gt;One last thing to keep in mind, both with the Healing Brush, and with the two techniques that follow: Start close up, at 100%. Then move back out to 50%. Avoid odd scaling values. 66.7% and  ...&lt;/p&gt;&lt;p&gt;&lt;a href="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/1170442_cfqod#54695969_JAZrB" title="One last thing to keep in mind, both with the Healing Brush, and with the two techniques that follow: Start close up, at 100%. Then move back out to 50%. Avoid odd scaling values. 66.7% and  ..."&gt;&lt;img src="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/healing/54695969_JAZrB-Th.jpg" width="150" height="95" alt="One last thing to keep in mind, both with the Healing Brush, and with the two techniques that follow: Start close up, at 100%. Then move back out to 50%. Avoid odd scaling values. 66.7% and  ..." title="One last thing to keep in mind, both with the Healing Brush, and with the two techniques that follow: Start close up, at 100%. Then move back out to 50%. Avoid odd scaling values. 66.7% and  ..." style="border: 1px solid #000000;" /&gt;&lt;/a&gt;&lt;/p&gt;</media:text>
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      <title>DODGING AND BURNING&#13;
The healing brush's value is the ease with which lots of gross imperfections can be brought under control without a loss of skin texture. But if you want to take that ne ...</title>
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      <description>&lt;p&gt;&lt;a href="http://dgrin.smugmug.com"&gt;Digital Grin&lt;/a&gt;&lt;br /&gt;DODGING AND BURNING&#13;
The healing brush's value is the ease with which lots of gross imperfections can be brought under control without a loss of skin texture. But if you want to take that ne ...&lt;/p&gt;&lt;p&gt;&lt;a href="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/1170442_cfqod#54741466_xm4zv" title="DODGING AND BURNING&#13;
The healing brush's value is the ease with which lots of gross imperfections can be brought under control without a loss of skin texture. But if you want to take that ne ..."&gt;&lt;img src="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/clear/54741466_xm4zv-Th.gif" width="1" height="1" alt="DODGING AND BURNING&#13;
The healing brush's value is the ease with which lots of gross imperfections can be brought under control without a loss of skin texture. But if you want to take that ne ..." title="DODGING AND BURNING&#13;
The healing brush's value is the ease with which lots of gross imperfections can be brought under control without a loss of skin texture. But if you want to take that ne ..." style="border: 1px solid #000000;" /&gt;&lt;/a&gt;&lt;/p&gt;</description>
      <category>Tutorials</category>
      <pubDate>Wed, 01 Feb 2006 07:14:25 -0800</pubDate>
      <author>nobody@smugmug.com (Digital Grin)</author>
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The healing brush's value is the ease with which lots of gross imperfections can be brought under control without a loss of skin texture. But if you want to take that ne ...</media:title>
      <media:text type="html">&lt;p&gt;&lt;a href="http://dgrin.smugmug.com"&gt;Digital Grin&lt;/a&gt;&lt;br /&gt;DODGING AND BURNING&#13;
The healing brush's value is the ease with which lots of gross imperfections can be brought under control without a loss of skin texture. But if you want to take that ne ...&lt;/p&gt;&lt;p&gt;&lt;a href="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/1170442_cfqod#54741466_xm4zv" title="DODGING AND BURNING&#13;
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The healing brush's value is the ease with which lots of gross imperfections can be brought under control without a loss of skin texture. But if you want to take that ne ..." title="DODGING AND BURNING&#13;
The healing brush's value is the ease with which lots of gross imperfections can be brought under control without a loss of skin texture. But if you want to take that ne ..." style="border: 1px solid #000000;" /&gt;&lt;/a&gt;&lt;/p&gt;</media:text>
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      <media:copyright url="http://dgrin.smugmug.com">Digital Grin</media:copyright>
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      <title>Painting light or dark colors in a layer in any of these modes will result in lightening or darkening of the image. There are endless variations: filling a layer with 50% gray and using the  ...</title>
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      <description>&lt;p&gt;&lt;a href="http://dgrin.smugmug.com"&gt;Digital Grin&lt;/a&gt;&lt;br /&gt;Painting light or dark colors in a layer in any of these modes will result in lightening or darkening of the image. There are endless variations: filling a layer with 50% gray and using the  ...&lt;/p&gt;&lt;p&gt;&lt;a href="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/1170442_cfqod#54688052_za3qc" title="Painting light or dark colors in a layer in any of these modes will result in lightening or darkening of the image. There are endless variations: filling a layer with 50% gray and using the  ..."&gt;&lt;img src="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/dodgeburn/54688052_za3qc-Th.jpg" width="150" height="66" alt="Painting light or dark colors in a layer in any of these modes will result in lightening or darkening of the image. There are endless variations: filling a layer with 50% gray and using the  ..." title="Painting light or dark colors in a layer in any of these modes will result in lightening or darkening of the image. There are endless variations: filling a layer with 50% gray and using the  ..." style="border: 1px solid #000000;" /&gt;&lt;/a&gt;&lt;/p&gt;</description>
      <category>Tutorials</category>
      <pubDate>Tue, 31 Jan 2006 18:39:13 -0800</pubDate>
      <author>nobody@smugmug.com (Digital Grin)</author>
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      <media:title type="html">Painting light or dark colors in a layer in any of these modes will result in lightening or darkening of the image. There are endless variations: filling a layer with 50% gray and using the  ...</media:title>
      <media:text type="html">&lt;p&gt;&lt;a href="http://dgrin.smugmug.com"&gt;Digital Grin&lt;/a&gt;&lt;br /&gt;Painting light or dark colors in a layer in any of these modes will result in lightening or darkening of the image. There are endless variations: filling a layer with 50% gray and using the  ...&lt;/p&gt;&lt;p&gt;&lt;a href="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/1170442_cfqod#54688052_za3qc" title="Painting light or dark colors in a layer in any of these modes will result in lightening or darkening of the image. There are endless variations: filling a layer with 50% gray and using the  ..."&gt;&lt;img src="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/dodgeburn/54688052_za3qc-Th.jpg" width="150" height="66" alt="Painting light or dark colors in a layer in any of these modes will result in lightening or darkening of the image. There are endless variations: filling a layer with 50% gray and using the  ..." title="Painting light or dark colors in a layer in any of these modes will result in lightening or darkening of the image. There are endless variations: filling a layer with 50% gray and using the  ..." style="border: 1px solid #000000;" /&gt;&lt;/a&gt;&lt;/p&gt;</media:text>
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      <title>COLOR IMPERFECTIONS&#13;
Note the unfortunate skin blotches on this otherwise cute little baby.&#13;
&#13;
This image comes from a thread where a genuine whiz-bang LAB technique was discussed, and which ...</title>
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      <description>&lt;p&gt;&lt;a href="http://dgrin.smugmug.com"&gt;Digital Grin&lt;/a&gt;&lt;br /&gt;COLOR IMPERFECTIONS&#13;
Note the unfortunate skin blotches on this otherwise cute little baby.&#13;
&#13;
This image comes from a thread where a genuine whiz-bang LAB technique was discussed, and which ...&lt;/p&gt;&lt;p&gt;&lt;a href="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/1170442_cfqod#54688008_6QXqb" title="COLOR IMPERFECTIONS&#13;
Note the unfortunate skin blotches on this otherwise cute little baby.&#13;
&#13;
This image comes from a thread where a genuine whiz-bang LAB technique was discussed, and which ..."&gt;&lt;img src="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/Baby1/54688008_6QXqb-Th.jpg" width="150" height="133" alt="COLOR IMPERFECTIONS&#13;
Note the unfortunate skin blotches on this otherwise cute little baby.&#13;
&#13;
This image comes from a thread where a genuine whiz-bang LAB technique was discussed, and which ..." title="COLOR IMPERFECTIONS&#13;
Note the unfortunate skin blotches on this otherwise cute little baby.&#13;
&#13;
This image comes from a thread where a genuine whiz-bang LAB technique was discussed, and which ..." style="border: 1px solid #000000;" /&gt;&lt;/a&gt;&lt;/p&gt;</description>
      <category>Tutorials</category>
      <pubDate>Tue, 31 Jan 2006 18:38:43 -0800</pubDate>
      <author>nobody@smugmug.com (Digital Grin)</author>
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      <media:title type="html">COLOR IMPERFECTIONS&#13;
Note the unfortunate skin blotches on this otherwise cute little baby.&#13;
&#13;
This image comes from a thread where a genuine whiz-bang LAB technique was discussed, and which ...</media:title>
      <media:text type="html">&lt;p&gt;&lt;a href="http://dgrin.smugmug.com"&gt;Digital Grin&lt;/a&gt;&lt;br /&gt;COLOR IMPERFECTIONS&#13;
Note the unfortunate skin blotches on this otherwise cute little baby.&#13;
&#13;
This image comes from a thread where a genuine whiz-bang LAB technique was discussed, and which ...&lt;/p&gt;&lt;p&gt;&lt;a href="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/1170442_cfqod#54688008_6QXqb" title="COLOR IMPERFECTIONS&#13;
Note the unfortunate skin blotches on this otherwise cute little baby.&#13;
&#13;
This image comes from a thread where a genuine whiz-bang LAB technique was discussed, and which ..."&gt;&lt;img src="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/Baby1/54688008_6QXqb-Th.jpg" width="150" height="133" alt="COLOR IMPERFECTIONS&#13;
Note the unfortunate skin blotches on this otherwise cute little baby.&#13;
&#13;
This image comes from a thread where a genuine whiz-bang LAB technique was discussed, and which ..." title="COLOR IMPERFECTIONS&#13;
Note the unfortunate skin blotches on this otherwise cute little baby.&#13;
&#13;
This image comes from a thread where a genuine whiz-bang LAB technique was discussed, and which ..." style="border: 1px solid #000000;" /&gt;&lt;/a&gt;&lt;/p&gt;</media:text>
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      <title>I took a more conventional approach, using selective colors and a variety of other tricks, eventually bringing me to this unsatisfactory point.&#13;
&#13;
The red areas are too extensive to yield to ...</title>
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      <description>&lt;p&gt;&lt;a href="http://dgrin.smugmug.com"&gt;Digital Grin&lt;/a&gt;&lt;br /&gt;I took a more conventional approach, using selective colors and a variety of other tricks, eventually bringing me to this unsatisfactory point.&#13;
&#13;
The red areas are too extensive to yield to ...&lt;/p&gt;&lt;p&gt;&lt;a href="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/1170442_cfqod#54688020_2zUot" title="I took a more conventional approach, using selective colors and a variety of other tricks, eventually bringing me to this unsatisfactory point.&#13;
&#13;
The red areas are too extensive to yield to ..."&gt;&lt;img src="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/Baby2/54688020_2zUot-Th.jpg" width="150" height="133" alt="I took a more conventional approach, using selective colors and a variety of other tricks, eventually bringing me to this unsatisfactory point.&#13;
&#13;
The red areas are too extensive to yield to ..." title="I took a more conventional approach, using selective colors and a variety of other tricks, eventually bringing me to this unsatisfactory point.&#13;
&#13;
The red areas are too extensive to yield to ..." style="border: 1px solid #000000;" /&gt;&lt;/a&gt;&lt;/p&gt;</description>
      <category>Tutorials</category>
      <pubDate>Tue, 31 Jan 2006 18:38:51 -0800</pubDate>
      <author>nobody@smugmug.com (Digital Grin)</author>
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      <media:title type="html">I took a more conventional approach, using selective colors and a variety of other tricks, eventually bringing me to this unsatisfactory point.&#13;
&#13;
The red areas are too extensive to yield to ...</media:title>
      <media:text type="html">&lt;p&gt;&lt;a href="http://dgrin.smugmug.com"&gt;Digital Grin&lt;/a&gt;&lt;br /&gt;I took a more conventional approach, using selective colors and a variety of other tricks, eventually bringing me to this unsatisfactory point.&#13;
&#13;
The red areas are too extensive to yield to ...&lt;/p&gt;&lt;p&gt;&lt;a href="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/1170442_cfqod#54688020_2zUot" title="I took a more conventional approach, using selective colors and a variety of other tricks, eventually bringing me to this unsatisfactory point.&#13;
&#13;
The red areas are too extensive to yield to ..."&gt;&lt;img src="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/Baby2/54688020_2zUot-Th.jpg" width="150" height="133" alt="I took a more conventional approach, using selective colors and a variety of other tricks, eventually bringing me to this unsatisfactory point.&#13;
&#13;
The red areas are too extensive to yield to ..." title="I took a more conventional approach, using selective colors and a variety of other tricks, eventually bringing me to this unsatisfactory point.&#13;
&#13;
The red areas are too extensive to yield to ..." style="border: 1px solid #000000;" /&gt;&lt;/a&gt;&lt;/p&gt;</media:text>
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      <title>The next step is identical in mechanics to using a dodge/burn layer. Small brush, low opacity, painting incremental strokes of white into the mask, letting the curve begin to work on the red ...</title>
      <link>http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/1170442_cfqod#54688036_98YPh</link>
      <description>&lt;p&gt;&lt;a href="http://dgrin.smugmug.com"&gt;Digital Grin&lt;/a&gt;&lt;br /&gt;The next step is identical in mechanics to using a dodge/burn layer. Small brush, low opacity, painting incremental strokes of white into the mask, letting the curve begin to work on the red ...&lt;/p&gt;&lt;p&gt;&lt;a href="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/1170442_cfqod#54688036_98YPh" title="The next step is identical in mechanics to using a dodge/burn layer. Small brush, low opacity, painting incremental strokes of white into the mask, letting the curve begin to work on the red ..."&gt;&lt;img src="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/Baby3/54688036_98YPh-Th.jpg" width="150" height="66" alt="The next step is identical in mechanics to using a dodge/burn layer. Small brush, low opacity, painting incremental strokes of white into the mask, letting the curve begin to work on the red ..." title="The next step is identical in mechanics to using a dodge/burn layer. Small brush, low opacity, painting incremental strokes of white into the mask, letting the curve begin to work on the red ..." style="border: 1px solid #000000;" /&gt;&lt;/a&gt;&lt;/p&gt;</description>
      <category>Tutorials</category>
      <pubDate>Tue, 31 Jan 2006 18:39:01 -0800</pubDate>
      <author>nobody@smugmug.com (Digital Grin)</author>
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      <exif:DateTimeOriginal>2005-10-10 12:17:06</exif:DateTimeOriginal>
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      <media:title type="html">The next step is identical in mechanics to using a dodge/burn layer. Small brush, low opacity, painting incremental strokes of white into the mask, letting the curve begin to work on the red ...</media:title>
      <media:text type="html">&lt;p&gt;&lt;a href="http://dgrin.smugmug.com"&gt;Digital Grin&lt;/a&gt;&lt;br /&gt;The next step is identical in mechanics to using a dodge/burn layer. Small brush, low opacity, painting incremental strokes of white into the mask, letting the curve begin to work on the red ...&lt;/p&gt;&lt;p&gt;&lt;a href="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/1170442_cfqod#54688036_98YPh" title="The next step is identical in mechanics to using a dodge/burn layer. Small brush, low opacity, painting incremental strokes of white into the mask, letting the curve begin to work on the red ..."&gt;&lt;img src="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/Baby3/54688036_98YPh-Th.jpg" width="150" height="66" alt="The next step is identical in mechanics to using a dodge/burn layer. Small brush, low opacity, painting incremental strokes of white into the mask, letting the curve begin to work on the red ..." title="The next step is identical in mechanics to using a dodge/burn layer. Small brush, low opacity, painting incremental strokes of white into the mask, letting the curve begin to work on the red ..." style="border: 1px solid #000000;" /&gt;&lt;/a&gt;&lt;/p&gt;</media:text>
      <media:thumbnail url="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/Baby3/54688036_98YPh-Th.jpg" width="150" height="66"/>
      <media:category>Tutorials</media:category>
      <media:keywords>photoshop tutorial, photoshop, tutorial, skin, retouching, enhancing, removing, healing, healing brush</media:keywords>
      <media:copyright url="http://dgrin.smugmug.com">Digital Grin</media:copyright>
      <media:credit role="photographer">Digital Grin</media:credit>
    </item>
    <item>
      <title>...AND THE KITCHEN SINK&#13;
When to use which technique? Seldom does a job allow you to separate out each step. There is a lot of overlap, areas where you could dodge a shadow or just as easily ...</title>
      <link>http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/1170442_cfqod#54688187_sB79L</link>
      <description>&lt;p&gt;&lt;a href="http://dgrin.smugmug.com"&gt;Digital Grin&lt;/a&gt;&lt;br /&gt;...AND THE KITCHEN SINK&#13;
When to use which technique? Seldom does a job allow you to separate out each step. There is a lot of overlap, areas where you could dodge a shadow or just as easily ...&lt;/p&gt;&lt;p&gt;&lt;a href="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/1170442_cfqod#54688187_sB79L" title="...AND THE KITCHEN SINK&#13;
When to use which technique? Seldom does a job allow you to separate out each step. There is a lot of overlap, areas where you could dodge a shadow or just as easily ..."&gt;&lt;img src="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/kitchensink1/54688187_sB79L-Th.jpg" width="150" height="111" alt="...AND THE KITCHEN SINK&#13;
When to use which technique? Seldom does a job allow you to separate out each step. There is a lot of overlap, areas where you could dodge a shadow or just as easily ..." title="...AND THE KITCHEN SINK&#13;
When to use which technique? Seldom does a job allow you to separate out each step. There is a lot of overlap, areas where you could dodge a shadow or just as easily ..." style="border: 1px solid #000000;" /&gt;&lt;/a&gt;&lt;/p&gt;</description>
      <category>Tutorials</category>
      <pubDate>Tue, 31 Jan 2006 18:39:58 -0800</pubDate>
      <author>nobody@smugmug.com (Digital Grin)</author>
      <guid isPermaLink="false">http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/kitchensink1/54688187_sB79L-Th.jpg</guid>
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      <media:title type="html">...AND THE KITCHEN SINK&#13;
When to use which technique? Seldom does a job allow you to separate out each step. There is a lot of overlap, areas where you could dodge a shadow or just as easily ...</media:title>
      <media:text type="html">&lt;p&gt;&lt;a href="http://dgrin.smugmug.com"&gt;Digital Grin&lt;/a&gt;&lt;br /&gt;...AND THE KITCHEN SINK&#13;
When to use which technique? Seldom does a job allow you to separate out each step. There is a lot of overlap, areas where you could dodge a shadow or just as easily ...&lt;/p&gt;&lt;p&gt;&lt;a href="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/1170442_cfqod#54688187_sB79L" title="...AND THE KITCHEN SINK&#13;
When to use which technique? Seldom does a job allow you to separate out each step. There is a lot of overlap, areas where you could dodge a shadow or just as easily ..."&gt;&lt;img src="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/kitchensink1/54688187_sB79L-Th.jpg" width="150" height="111" alt="...AND THE KITCHEN SINK&#13;
When to use which technique? Seldom does a job allow you to separate out each step. There is a lot of overlap, areas where you could dodge a shadow or just as easily ..." title="...AND THE KITCHEN SINK&#13;
When to use which technique? Seldom does a job allow you to separate out each step. There is a lot of overlap, areas where you could dodge a shadow or just as easily ..." style="border: 1px solid #000000;" /&gt;&lt;/a&gt;&lt;/p&gt;</media:text>
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      <title>Now it's time to dodge and burn. I sampled a highlight and shadow from the rest of the face. (E) shows the hard light layer with my dodge/burn strokes and (F) the result. Still irregular, bu ...</title>
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      <description>&lt;p&gt;&lt;a href="http://dgrin.smugmug.com"&gt;Digital Grin&lt;/a&gt;&lt;br /&gt;Now it's time to dodge and burn. I sampled a highlight and shadow from the rest of the face. (E) shows the hard light layer with my dodge/burn strokes and (F) the result. Still irregular, bu ...&lt;/p&gt;&lt;p&gt;&lt;a href="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/1170442_cfqod#54688245_99nQU" title="Now it's time to dodge and burn. I sampled a highlight and shadow from the rest of the face. (E) shows the hard light layer with my dodge/burn strokes and (F) the result. Still irregular, bu ..."&gt;&lt;img src="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/kitchensink2/54688245_99nQU-Th.jpg" width="150" height="148" alt="Now it's time to dodge and burn. I sampled a highlight and shadow from the rest of the face. (E) shows the hard light layer with my dodge/burn strokes and (F) the result. Still irregular, bu ..." title="Now it's time to dodge and burn. I sampled a highlight and shadow from the rest of the face. (E) shows the hard light layer with my dodge/burn strokes and (F) the result. Still irregular, bu ..." style="border: 1px solid #000000;" /&gt;&lt;/a&gt;&lt;/p&gt;</description>
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      <pubDate>Tue, 31 Jan 2006 18:40:15 -0800</pubDate>
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      <media:text type="html">&lt;p&gt;&lt;a href="http://dgrin.smugmug.com"&gt;Digital Grin&lt;/a&gt;&lt;br /&gt;Now it's time to dodge and burn. I sampled a highlight and shadow from the rest of the face. (E) shows the hard light layer with my dodge/burn strokes and (F) the result. Still irregular, bu ...&lt;/p&gt;&lt;p&gt;&lt;a href="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/1170442_cfqod#54688245_99nQU" title="Now it's time to dodge and burn. I sampled a highlight and shadow from the rest of the face. (E) shows the hard light layer with my dodge/burn strokes and (F) the result. Still irregular, bu ..."&gt;&lt;img src="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/kitchensink2/54688245_99nQU-Th.jpg" width="150" height="148" alt="Now it's time to dodge and burn. I sampled a highlight and shadow from the rest of the face. (E) shows the hard light layer with my dodge/burn strokes and (F) the result. Still irregular, bu ..." title="Now it's time to dodge and burn. I sampled a highlight and shadow from the rest of the face. (E) shows the hard light layer with my dodge/burn strokes and (F) the result. Still irregular, bu ..." style="border: 1px solid #000000;" /&gt;&lt;/a&gt;&lt;/p&gt;</media:text>
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      <title>In Part 2, we'll see these techniques in the context of an actual job, taking this lady from here . . .</title>
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      <description>&lt;p&gt;&lt;a href="http://dgrin.smugmug.com"&gt;Digital Grin&lt;/a&gt;&lt;br /&gt;In Part 2, we'll see these techniques in the context of an actual job, taking this lady from here . . .&lt;/p&gt;&lt;p&gt;&lt;a href="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/1170442_cfqod#54701039_cLThD" title="In Part 2, we'll see these techniques in the context of an actual job, taking this lady from here . . ."&gt;&lt;img src="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/Ireneorig/54701039_cLThD-Th.jpg" width="100" height="150" alt="In Part 2, we'll see these techniques in the context of an actual job, taking this lady from here . . ." title="In Part 2, we'll see these techniques in the context of an actual job, taking this lady from here . . ." style="border: 1px solid #000000;" /&gt;&lt;/a&gt;&lt;/p&gt;</description>
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      <pubDate>Tue, 31 Jan 2006 20:10:30 -0800</pubDate>
      <author>nobody@smugmug.com (Digital Grin)</author>
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      <media:text type="html">&lt;p&gt;&lt;a href="http://dgrin.smugmug.com"&gt;Digital Grin&lt;/a&gt;&lt;br /&gt;In Part 2, we'll see these techniques in the context of an actual job, taking this lady from here . . .&lt;/p&gt;&lt;p&gt;&lt;a href="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/1170442_cfqod#54701039_cLThD" title="In Part 2, we'll see these techniques in the context of an actual job, taking this lady from here . . ."&gt;&lt;img src="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/Ireneorig/54701039_cLThD-Th.jpg" width="100" height="150" alt="In Part 2, we'll see these techniques in the context of an actual job, taking this lady from here . . ." title="In Part 2, we'll see these techniques in the context of an actual job, taking this lady from here . . ." style="border: 1px solid #000000;" /&gt;&lt;/a&gt;&lt;/p&gt;</media:text>
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      <title>to here.</title>
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      <description>&lt;p&gt;&lt;a href="http://dgrin.smugmug.com"&gt;Digital Grin&lt;/a&gt;&lt;br /&gt;to here.&lt;/p&gt;&lt;p&gt;&lt;a href="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/1170442_cfqod#54701021_9bA76" title="to here."&gt;&lt;img src="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/Irenefinal/54701021_9bA76-Th.jpg" width="100" height="150" alt="to here." title="to here." style="border: 1px solid #000000;" /&gt;&lt;/a&gt;&lt;/p&gt;</description>
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      <pubDate>Tue, 31 Jan 2006 20:10:21 -0800</pubDate>
      <author>nobody@smugmug.com (Digital Grin)</author>
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      <media:title type="html">to here.</media:title>
      <media:text type="html">&lt;p&gt;&lt;a href="http://dgrin.smugmug.com"&gt;Digital Grin&lt;/a&gt;&lt;br /&gt;to here.&lt;/p&gt;&lt;p&gt;&lt;a href="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/1170442_cfqod#54701021_9bA76" title="to here."&gt;&lt;img src="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/Irenefinal/54701021_9bA76-Th.jpg" width="100" height="150" alt="to here." title="to here." style="border: 1px solid #000000;" /&gt;&lt;/a&gt;&lt;/p&gt;</media:text>
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      <title>And with this image, we will confront head-on an issue raised in a dGrin thread: "How far should we go?" In this case, the answer is "At least back to 1986", because we'll peel about twenty  ...</title>
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      <description>&lt;p&gt;&lt;a href="http://dgrin.smugmug.com"&gt;Digital Grin&lt;/a&gt;&lt;br /&gt;And with this image, we will confront head-on an issue raised in a dGrin thread: "How far should we go?" In this case, the answer is "At least back to 1986", because we'll peel about twenty  ...&lt;/p&gt;&lt;p&gt;&lt;a href="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/1170442_cfqod#54700990_m5Bgt" title="And with this image, we will confront head-on an issue raised in a dGrin thread: "How far should we go?" In this case, the answer is "At least back to 1986", because we'll peel about twenty  ..."&gt;&lt;img src="http://dgrin.smugmug.com/Tutorials/Beyond-Basics/Skin-Retouching-Tutorial-Part/holly/54700990_m5Bgt-Th.jpg" width="100" height="150" alt="And with this image, we will confront head-on an issue raised in a dGrin thread: "How far should we go?" In this case, the answer is "At least back to 1986", because we'll peel about twenty  ..." title="And with this image, we will confront head-on an issue raised in a dGrin thread: "How far should we go?" In this case, the answer is "At least back to 1986", because we'll peel about twenty  ..." style="border: 1px solid #000000;" /&gt;&lt;/a&gt;&lt;/p&gt;</description>
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      <pubDate>Tue, 31 Jan 2006 20:10:08 -0800</pubDate>
      <author>nobody@smugmug.com (Digital Grin)</author>
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